Transcript
WEBVTT
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Hello, Hello everyone, and welcome back to Judgment Free Zone.
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I'm your host, Michael Rauscher, and my guest today is Morgan McCarver, so I'm very excited to have her on the show and spend some time talking with Morgan.
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Morgan is in the South Carolina area and she has a degree in art.
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Ceramic art is her passion and we're going to talk a little bit more about that, but I do want to mention that Morgan has had a ton of awards.
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She's a multi-award winning artist.
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She's displayed her work in two different solo exhibitions 2020'm sorry, 2020 and also 2022.
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She currently has studios in Asheville, North Carolina, as well as Spartanburg, South Carolina, and her art can be found in various galleries around the Carolinas as well as the great state of Tennessee.
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But outside of her passion for art is also her passion for God, which we'll talk about, and it inspired her to write her first book, which is God the Artist Revealing God's Creative Side Through Pottery.
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So, Morgan, thank you so much for being here and, of course, congratulations on your success, both with art and with the book.
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Thank you so much and thank you for having me.
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Absolutely Happy to have you on the show and really excited to talk to you and hear more about your story.
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So let's get into it.
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Morgan, why art, I have to ask.
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I know you probably get asked that a lot, but what's interesting is obviously what I'd love to know is when art became a thing for you, like when it became a passion because you went into college and actually got your degree.
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I'm trying to look that up, but you have a degree in ceramics.
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I do.
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Yep, I never even knew you could get a degree, and so I'm sorry for that.
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But yeah, so tell me, where did this start for you and kind of what led to that?
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Yeah it basically started.
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I say I've always needed a creative outlet.
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I've always been, even from the earliest moments of playing with Play-Doh with my grandmother.
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You know, all the way back to my childhood I've needed that creative outlet, but it wasn't always pottery.
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I danced for a long time and then when I had scoliosis surgery for a long time and then when I had scoliosis surgery it was a spinal fusion and so that made my dance career basically end.
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Everything was put on hold for a year while I was recovering and then when I went back to dance it wasn't the same, but during that year I needed that creative outlet that I had lost.
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And so that's really when I kind of turned to pottery and took my first kids camp.
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At the time I was 14 when I had the surgery, and so I took that introduction to ceramics kind of camp and fell in love with the clay.
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Just the connection to it, the direct flexibility with the clay that I couldn't get out of my body during that time.
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And all of this stuff just kind of culminated into me realizing this immediate relationship with touching the clay and feeling it and molding it into something that I wanted to make it into, and just that freedom that I felt, and you're right, that ultimately led into me going to the South Carolina School of the Arts, anderson University, and so that's where I got my degree in ceramics, which doesn't that's not a common degree anymore, it doesn't really exist, but thankfully I was able to do that at Anderson, and that's ultimately what brought me up to Asheville and what sparked the book and all of that good stuff.
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Gotcha so growing up.
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So when did dancing start for you?
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What age did you start dancing?
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Well, as all Southern girls, I feel like experience this.
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My mom put me in ballet when I was like three years old, um, and so I had done ballet classes and tap classes, um, but I fell in love with Irish step dancing at about six or seven years old and so that was really my passion.
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That's the classes.
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I ended up um choosing to take more classes and do that on the weekends and um compete, actually go to different Irish step dancing competitions and things, but it all like I was three years old when I was put into those ballet classes.
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So you grew up with dance essentially.
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Yeah, you found that as your initial passion with the Irish dancing.
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The scoliosis for you, I know, was severe, Like you mentioned.
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You know you had to have a major surgery for scoliosis, which I say that to say there's different degrees of scoliosis.
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I know some people have it, but it's not so severe, they're able to just kind of live with it.
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Exactly.
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For you that wasn't the case, did.
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How painful was that, if at all?
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Like when you?
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When does the scoliosis really start to affect you?
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I guess is what I'm asking that you know cause you're having this dance career.
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You're, you're obviously you're competing, like you said, and clearly you are enjoying this, because it was something you were raised with.
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Um, how does that start to affect you?
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At what age do you realize there's an issue?
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Um, I was in fifth grade and my mom's sister had scoliosis and so my mom kind of knew the signs to look for and so she was able to see like my shoulders were a little bit uneven, you know, and then that kind of led to x rays and so in fifth grade is really when everything kind of started culminating into what turned into the diagnosis that I did have scoliosis, and so at that point I was basically wearing back bracing for three years.
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At that point I was wearing it when I was home or when I was going to bed.
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So it doesn't really affect my school life at that point.
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It doesn't really affect my dance and I honestly really didn't have any pain.
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It was just something that you know it was kind of frustrating.
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I'd have to go in and get checked out, or my hips would be uneven or my shoulders would be uneven, and so that was kind of the only physical appearance that was really noticeable, but it wasn't so severe that anyone would notice that you'd kind of have to look for it.
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But the pain actually really started for me after the surgery because I had an S curve which meant my spine was growing from side to side and there were three different curves and they were varying by degrees, and then they were also rotating, and so when everything was fused straight and kind of put back to where it was supposed to be, my organs shifted back into place, my shoulders even out, my hips evened out, but there were a lot of muscle groups that had to be cut through and kind of realigned, and so there were some muscle groups that were shorter than they should have been because they had been truncated with the curvature, and so I actually grew about an inch and a half after the surgery.
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So all of that kind of is what started the pain actually.
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Wow, wow.
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Yeah, that makes perfect sense when you explain it that way.
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But hearing the S curve and everything that you're talking about, that sounds painful to me.
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But I guess because your body was naturally that way and you were living with it, I guess I can understand where you didn't sense that pain initially.
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So that makes sense the way you've described it.
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Yeah, and everybody's different.
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Like you said before, some people their curves don't get that bad.
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Some people do have pain at the beginning and the hope was that I could just wear the back bracing until I got through that last growth spurt and then I would just live with the scoliosis that I had and it never would get worse.
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But after three years it was obvious that my spine was continuing to curve and it was getting worse, and so that's when they decided I'd pretty much stopped growing and I needed to have the surgery.
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Did they tell you when going into the surgery, like was?
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Was it already known that you probably won't be able to dance after this, or was that you know?
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Were there any things that they were saying to you like, hey, this is going to fix this, but you might lose out on a few things, or that all just happen after?
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that they had told me I'd pretty much wouldn't have any range of motion in my spine because it is it's two titanium rods and 18 screws.
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Like my entire spine is fused.
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There's a couple vertebrae at the bottom and then my neck which are not fused, but basically my entire spine is fused.
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So I was aware that was coming and ironically, the way Irish dances that wouldn't have affected it that much.
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I knew that the year long recovery I wouldn't be able to dance and then after that I did actually go back to dance but it wasn't the same.
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I wasn't the same physically and mentally and so the passion was gone kind of.
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But I knew in a sense what was coming, but I had no idea mentally how that was going to affect me.
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I really was only um preparing for the physical aspects.
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Sure, gotcha.
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So let me ask you this Faith is obviously a big part of your life, um, you know, and which is why you were able to write the book and share what was faith like for you as a child, especially at this period in your life?
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I mean, and I asked that so I was raised in the church, but I will tell you, you know, you mentioned fifth grade and that age range.
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It wasn't clicking yet for me, right?
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So it was one of those things where I just went to church and, sure, I said prayers with the family and those things, but I can't tell you that I was passionate about what I was doing.
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I was a kid and it wasn't all registering.
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So how did you deal with that at that time?
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Or what was, what was your faith like at that time?
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I also was raised in the church again, growing up in the Bible belt.
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That's just what you did on Sundays, because nothing else was open, so to speak.
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So you went to church.
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But both of my family my parents are Christians.
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I was raised in a Christian household and so we went to the Baptist church every Sunday and I was saved when I was about seven or eight years old.
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But it wasn't like that amazing transformation story like you talked about.
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It was just something that we did.
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So I made that decision for myself and I recognized that that was my decision and I do think I was saved at that point.
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But my faith was basically what my family made it.
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They drove me to church and I didn't complain.
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I didn't know, I had a choice, and things like that.
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That really meant that my faith life didn't become my own until I was about to have the surgery and I was praying.
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I knew for about a year that the surgery was coming, and so I was praying during that time for miraculous healing that you read about in the Bible and that people talk about today, and I was praying that that was going to be my story and I didn't really know how to listen to the Lord's voice or what his voice sounded like to me.
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But at that time I just felt like something was saying like, if that's the case, your story isn't going to be complete, and I was like, no, that's crazy.
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But then I ended up having to have that surgery and I didn't have that miraculous recovery.
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And so then my prayer really turned into Lord, help me get through this, help me understand what's going on.
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And that really became my prayer for a decade after the surgery.
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Why did you let this happen to me?
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What is this all for?
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What's my purpose?
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Why did I go through this experience?
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And I didn't understand that for over a decade, and it hasn't been until recently when God the Artist the book came out.
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And well, when I started writing, god the Artist honestly is kind of when God started revealing like this testimony is his gift to me to allow me to take part in this amazing experience.
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And so now I look back at that time, not as a curse, as I originally looked back at it, but I see it as a blessing and a gift from God that really catapulted my whole life into what it is now.
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Well, I love that.
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You just said that because it's so funny, right, the way people look at things, that because it's so funny, right, the way people look at things.
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For me, for example, just meeting you and being able to talk to you and see the accomplishments that you've had, right.
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So I mean, when you and I started the conversation it was, you know, I was dancing up until the surgery and then you kind of found that passion after the surgery to find your way into what you do today, with being an artist.
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And as soon as you're telling me that, I'm sitting here and listening to your story and saying isn't God amazing because he took this scoliosis that you had in this surgery and it totally put you on this other path where you've had amazing success?
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I mean, you've had amazing success as an artist and and now you're a writer, you know, and you've got a published book out there.
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So, um, yeah, I can totally see how.
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When you're in the moment, though, like you just said, you could definitely look at it and say why I think we all do that why me?
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Why did this have to happen?
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What is the purpose of all of this?
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Um, but sometimes from the outside, uh, especially if you have faith you can kind of see it and say, wow, this is amazing.
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Um, so I love that you've got there, I love that you got to that place, but let's hear a little bit more than about your story.
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So after surgery, you're obviously no miraculous recovery.
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I imagine you were experiencing a lot of pain and recovery process was pretty difficult for you.
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I'd love it if you could talk to me a little bit about that and then again, how that moves you into, how you start to really take off after the pottery.
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Yeah, basically it was that year long recovery where I couldn't bend or twist or pick up anything over 10 pounds, pretty much doing anything that a teenager would like to do.
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I was 14 when I had the surgery, so I was in school and that looked completely different.
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Of course.
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I basically did school from home for about well, for over a month, and then when I went back I couldn't sit at the normal desks because the chairs are connected and I couldn't twist, so I was sitting at the teacher's desk and I had to carry a pillow around everywhere and my classmates had to open the doors for me.
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My classmates had to carry my books for me.
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It was, I mean, it was not great.
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My school was great in how they handled it.
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My teachers and my friends, my classmates were really kind and gracious towards me, but I did not like all of that attention and so, naturally, being introverted anyway, I really just kind of drew within myself and that's when I just wanted to be normal, right, and body image is a thing for teenage girls anyway, and so now I've got a body that doesn't look like everybody else's and it never will again, and so all of these things are kind of playing in my head and it's a lot of lies that the enemy throws at you that are very easy to believe, and so during that time I just tried to hide it.
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I didn't want people to know, I didn't know why it happened.
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It got to the point I didn't even want to like watch movies that had hospital scenes.
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You know, it was stuff that like, if you know, if mental health was then what it is now, I should have seen a counselor, but you didn't do that back then, and different things like that that really I had to work through.
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And I read recently that it takes about 10 years to work through a trauma like that, and for me that is exactly true.
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It took me a decade to really come out of that place, and it wasn't even really a place of anger.
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Maybe at some moments it was, but it was more just not understanding, just a place of confusion, a place of, you know, self-pity sometimes.
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Why did this happen to me?
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Why do I look different?
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Why can't I just be normal, you know, and so all of these different things are kind of culminating into that.
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But ultimately that is what led me to pottery, and then that is what pottery is, what led me to the school I chose and so I could get that degree in that.
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And then moving forward, that's what started my business, and when I was graduating from Anderson with this degree, I realized I was about to lose my friend group again that I had had for four years, this pottery community that I had enjoyed so much, and so I started trying to look for a devotion book, because I knew all of these verses about God and pottery in the Bible.
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I knew there were more that existed and so I wanted to read about this.
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I wanted to have that community again, and there wasn't really anything that I could find that was like that, and so at that point the Holy Spirit just kind of put it on my heart because I love research anyway.
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It was like that's something maybe you could start looking into and taking notes.
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And that's really when God the artist kind of started.
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The seed kind of started was back in 2019.
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That's fantastic.
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Is that when you started writing Morgan in 2019?
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Or that's just when you started kind of your research in the process of?
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it.
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That's when I started writing actually, and, man, I'm so impatient.
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I tried to rush God, and so I tried to get a manuscript published in 27 or 2019.
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And it was.
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It was so rough.
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I'm so glad it wasn't published.
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But basically they had told me I'd have to pay a lot of money and have someone else edit it and rewrite it, essentially.
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And so I was confused because I was like Lord, I thought this was what you told me to do.
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I thought I was hearing your voice and I thought I was following you.
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And here I am getting rejected.
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What is this?
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But I just felt like the Holy Spirit was telling me to put this on hold until I had more experience, and I thought that meant decades down the line, I'd be retired or something, writing a memoir, and it really was not the case.
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I mean, think about 2019.
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We went through a lot in the past couple of years, and for me, during that time, I was working a ceramic supply store retail job, so I learned a lot about ceramics through the retail aspect of it.
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They're having me teach classes in the evenings, and so I was learning a lot through teaching, and then I actually the pandemic hit, of course, and so that taught me a lot about myself, a lot about my relationship with God.
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And then I ultimately moved up to Asheville, north Carolina, kind of towards the end of the pandemic, just to focus on my art, get out of the retail scene, and I worked for a potter for a year and a half, learning the studio life from her.
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Aspect of this is how you run a small business.
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This is what you need to do to market yourself.
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Well, this is how you sell pots.
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And so all of this experience I didn't know I was getting for the book.
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I thought I was just pursuing my passion, but God was faithful through that, and so in January of 2023, I just felt like God was telling me to revisit that manuscript, and so that's really when I began rewriting God the Artist and reaching out to publishers at that point, Fantastic, and you released God the Artist this year, correct?
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Yes, July, was it.
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January.
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Sorry of 24 that the book came out.
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Yep, so a full year later, god the Artist came out.
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So, yep, it's out now, which is just crazy to think about this whole story.
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Yeah, so, god the Artist, you have had so much time, if you think about it.
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So we talked about just now you started writing in 2019.
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The process, though, really doesn't get completed until last year, 2023.
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But this book has been a book in the making probably since you were 14, at least five years of age.
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So what are some of the things that kind of came out as you were writing this book?
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Was there a lot of you know?
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Because, like you said, you're learning all these things even throughout from 2019 on, about business, and you're just seeing it that way.
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Um, because that's what we do, you know, from a human mindset.
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We kind of just look at things day to day and say, oh, you know, how does this all come together?
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I mean, we don't know until God puts it together for us, really.
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But, um, what's the journey like as you start to write?
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Are you starting to see all of these things from your past that are coming out and you're saying, and there's like these light bulb moments or what kind of what was that process like for you?
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When I was rewriting it in January, I was looking at that first manuscript and I realized I was writing from a very bitter place.
00:20:00.117 --> 00:20:17.942
It still hadn't I honestly still hadn't reached that decade yet, and so I was writing from a place of frustration of kind of approaching it as this is what happened to me, but whatever, and I really didn't see the full picture at that point.
00:20:17.942 --> 00:20:30.479
So kind of rereading where I was was very interesting for me to see how far I had come since then, because, like you said, you don't know in the moment how far you're coming from where you were until you actually take the time to reflect.
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And I think that's really important too.
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And so then at that point I realized you know, the goal for this book is to show God and His creative power and how that is referenced in the Bible.
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And then it kind of hit me I can't write that without sharing my story, which was a little bit scary because that meant that I was going to have to get very vulnerable to people I don't even know.
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And so at that point it was a lot of prayer, it was a lot of just asking God like what should go into this book and where should it go, and so my hope now is that people are able to read this and see, maybe, the aspects of their lives that they're not thrilled about.
00:21:13.989 --> 00:21:17.044
Like, god's given them those aspects as a gift.
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Even if it doesn't feel like a gift, even if it takes years to feel like a gift, it truly is a gift from him to grow them in some way and to help them in their story and to honor him, and it's something that I, like I said, I didn't feel that in the moment and I didn't feel that for over 10 years after the moment.
00:21:34.086 --> 00:21:46.994
It took a long time for me to get there, but the important part is I was able to get there by his grace and I'm able to look back on that time and see that that was completely from him, by his grace and I'm able to look back on that time and see that that was completely from him.
00:21:48.575 --> 00:21:49.616
Yeah, I love that you share that.
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I think that it's so important.
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You touched on this when you talked about being in high school, the enemy and the lies that the enemy will tell, and it's important to note that, because you talk about this decade and how you really had to go through that decade to get to the other side.
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But what's funny about that is I know you were faithful to a degree at least.
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I know you've had faith in your life, you know, since your upbringing.
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So there's a level of faith that's there, but the enemy is still involved and the enemy can tear away at that and the enemy can definitely tell you lies and those lies can keep you from being vulnerable and keep you from confronting the person that you really are, the person maybe that you want to become, and I think for a lot of us, in order to kind of get to the other side, in order to be the person that God intends us to be, or that maybe we just we really feel in our heart we're meant to be, you have to get vulnerable, like, not only do you have to confront yourself, maybe face your own demons, challenges, whatever it is, but a lot of times you have to be vulnerable enough excuse me to put it out there because it is a way to honor him and what he's done for us, what he continues to do for us.
00:23:00.579 --> 00:23:10.455
So I couldn't agree with you more, but I say that to say that for those who are listening to us right now, or for those people who know, like I believe in God.
00:23:10.557 --> 00:23:15.147
I pray daily, but for some reason I just my life isn't quite working or things aren't.
00:23:15.147 --> 00:23:19.203
It's one of those things where maybe you just have to dig a little deeper.
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Maybe you have to face the lies that the enemy's telling you and reject those things.
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Remind yourself that you are a child of God and God does have a plan for you.
00:23:28.105 --> 00:23:37.021
Obviously, you're coming around like full circle, which is such a beautiful thing, and that's why you wrote the book and you're sharing with people, which is phenomenal.
00:23:37.021 --> 00:23:40.817
Let's go back, though, for a minute and talk about your art career.
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You've had tremendous success.
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When did things really start taking off for you?
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Was it before college?
00:23:47.327 --> 00:23:51.721
After college, like when did your success really start to move, or when did you even know?
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This is real for me, like I'm good at this.
00:23:56.075 --> 00:24:35.228
Ooh, um, when I started taking classes, I enjoyed it, but I wouldn't say that I noticed that I was really good at it, and I think the interesting thing about ceramics, too, is everyone expects you to throw on the pottery wheel, which is the most glamorous part of ceramics, anyway, right, but that's not really how I make my work, and so I was taking classes learning about the wheel, but I wasn't fully enjoying that process as much as I was enjoying other areas of ceramics, and so when I got to college, my professor recognized this, and thankfully, she was able to show me other aspects, like plaster, mold making, for example.
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So I do a lot of slip casting in my work, where I use molds that I've made myself and I pour the clay into those, and so that's an aspect that goes back hundreds of years, like as early as the 1700s, maybe earlier, and so it's a part of culture that I think is really important to carry on, but it's not the most well-known form of ceramics, and so that's when I started really recognizing.
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You know, this is a niche.
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This is something that I'm passionate about, and this is something that I'm actually pretty good at.
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Like, I enjoy doing this, and I enjoy it more than the wheel, and so that kind of pursuit of that technique is what kept driving me.
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And then after graduation, one of the best forms of advice I got was just keep hustling.
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And so, honestly, I would just apply to things and see where it got me.
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And I got a lot of rejection, but as long as I could read that description and say, yeah, if I got accepted, this would be feasible, I could handle this, I'd apply to it.
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I didn't even fully understand what it was and I'd still apply.
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And it gave me some really amazing opportunities and a lot of opportunities where I was the youngest to ever make it that far or the youngest to ever participate in this, which is just such a drive.
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When you got that recognition from some older artists saying like, wow, you're so young and everything you're doing, that just makes me want to keep pursuing and keep trying, and so that also helps with the rejection too.
00:25:59.002 --> 00:26:04.166
If I'm focusing on that rejection, why didn't I get this or why did they choose somebody else?
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That can drag you down.
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You know that can hinder your work, but I was constantly applying to new things and saying, okay, I didn't get that, that's okay.
00:26:13.663 --> 00:26:26.727
You know, I don't have time for it anyway, I'll apply to something else and constantly looking forward, constantly hustling, as they say, constantly saying yes to opportunities and seeing where they take me, and it's allowed me to do some pretty amazing things that I've never thought.
00:26:28.209 --> 00:26:28.569
I would do.
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Honestly, that's awesome.
00:26:31.281 --> 00:26:34.751
So where's the inspiration in all your art?
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Does it always come from a different place or do you have?
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Is there somewhere that you typically tend to draw from when creating something new?
00:26:43.420 --> 00:26:44.662
Yeah, it's several places.
00:26:44.662 --> 00:26:53.463
I'm a history buff, so a lot of it is research and drawing from previous time periods and cultures, specifically the Victorian era.